In their January 1997 issue, the editors of GUITAR PLAYER magazine voted Miroslav Tadic one of the world's thirty most radical and individual guitarists.

Tadic completed his formal education in the United States after studying in Italy and his native Yugoslavia. He has performed and recorded in a wide variety of settings and musical styles, ranging from music of the Baroque and Classical periods to blues, jazz, and rock. Tadic's performing and recording credits include projects with Terry Riley, the Los Angeles Opera with Placido Domingo, Howard Levy, Joachim Kühn, Dusan Bogdanovic, Vlatko Stefanovski, Theodosii Spasov, Kudsi Erguner, Djivan Gasparyan, Pandit Swapan Chaudhuri, L. Shankar, Markus Stockhausen, Maria João, David Torn and Jack Bruce, among others. He is frequently heard in Europe, Japan and the United States. In 1986 Miroslav met drummer Mark Nauseef and the master of sound sculpting and recording Walter Quintus. Their collaboration has resulted in a great number of recordings and projects, which continue today and into the future.

In recent years Tadic has concentrated on developing an approach to improvisation which combines and juxtaposes musical material drawn from many diverse sources, including Baroque, European classical and North Indian classical music, Eastern European folk traditions, blues, jazz, and rock. He is noted for his pioneering work in applying the elements of classical and flamenco techniques to the electric guitar.

Miroslav's numerous recordings on ENJA Records, CMP Records, M.A Recordings, Omagatoki and Third Ear Music labels have won international critical acclaim. He has written music for a number of award-winning experimental film, theater, and dance works. Since 1985 he has been teaching at California Institute of the Arts in Los Angeles.

For more thorough and detailed information on Miroslav Tadic, please check out an excellent interview with him at: http://www.innerviews.org/inner/tadic.html